Describing the company L'Eau Prit Feu comes down to evoking the show which laid the foundations of our aesthetic and our unique way of approaching the stage as actors.

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Bones, masks without words speaks of the relationship with Others beyond "the bones", beyond death, disappearance: this rest of our relationships, memory, feelings, what remains imprinted, impregnated in the body ...

Tables that open the imagination of anyone, even without having the references.

This project contains the identity of a theater of gestural sensitivity: a direction inspired by a visual and burlesque theater that begins with the physical presence of the actor , invested with his mission to communicate the heart of the show to the public.

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An actor whose body play is central and sincere , centered on his senses and his generosity and in no case on himself. A devoted actor.

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Bones, masks without words

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Our two characters were born using Skeletal Masks, Tap dancing and Tango.

A search for rhythm, for a sound specific to the skeleton and a sensuality specific to the flesh. In love to the bone.

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They are reborn every day, to the sound of a requiem, when the spectator enters the room, and die again to let him go.

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What these two are saying are the memories that seal their relationship, like a reason to live.

The good and the bad, the surprises and the joys, the conflicts and the supports ...

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As long as memory summons our dead with the love that binds us to them, each time they come back to arouse the same feelings, like a fire that we can pass on and keep alive ...

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